Tuesday, December 1, 2009

Simon Doonan to Decorate the White House, We Imagine an Obama Christmas

Simon Doonan to Decorate the White House, We Imagine an Obama Christmas: "Simon Doonan to Decorate the White House, We Imagine an Obama Christmas

Simon Doonan, the creative director of Barneys, has been hand-picked to decorate the White House for the holidays. Known for his edgy column in the The New York Observer, and controversial window displays he has created in the past for Barneys, we're excited to see how Doonan decks the halls of the Obama's White House.
Judging by Michelle Obama's wardrobe selections, we wouldn't be surprised if she recommended Doonan for the job herself. Although the details are being kept hush hush for now, the first decoration is to arrive this Friday, in the form of a piney Douglas fir tree.
Here's a look at a few accessories we think he'll bring into the White House this winter:

Here's what we think the Obama gals should wear for the holiday:
Michelle Obama


Michelle Obama would be stunning in this Isaac Mizrahi look from the Fall 2009 collection. Paired with an affordable Lulu Lulu Townsend Criss Cross Satin Clutch, $26.95, at dsw.com; and with this perfect pair of Prada Stone Earings, $390, at

Tags:
Michelle Obama, Barack Obama, Decorating The White House, White House Holiday, Holiday Decorations, Simon Doonan, Barnys, Obama, White House, The Obamas, Decorating"

Morrissey to Design With Stella McCartney- 10 Other Unexpected Collaborations

Morrissey to Design With Stella McCartney- 10 Other Unexpected Collaborations: "Morrissey to Design With Stella McCartney- 10 Other Unexpected Collaborations

For many people, 2009 will be remembered as the year that Michael Jackson died--or the year the first black President was elected to office, or maybe even the year that vampires took over the big screen, the little screen, what we wear, what we read, and seemingly everything else. For us at StyleCaster, the year 2009 will also be remembered by the explosion of designer collaborations that we've witnessed over the past 11 months. From Mark Ronson's sneaker designs for Gucci to the upcoming (and hotly anticipated) Rodarte line for Target, every single designer there once was seems to now be a duo in some way (and let's not leave out LiLo's disastrous collection for Ungaro).
The most recent collaboration to spark our interest involves Stella McCartney and her new partner in crime. The notoriously vegetarian designer who doesn't use any animal products in her collections has announced a partnership with British pop singer Morissey who--yes, we could have guessed--is also a veggie. His past

Tags:
Rodarte For Target, Target Rodarte, Rodarte Target Collection, Target, Rodarte, Elijah Wood, Shirley Manson, Elijah Wood Oliver Peoples, Shirley Manson Oliver Peoples, Longchamp Jeremy Scott, Miley Cyrus, Miley Cyrus Max Azria, Max Azria, Commes Des Garcons Bealtes, The Beatles, Brad And Angelina Jewelry, Asprey, Brad And Angelina For Asprey, Holmes And Yang, Katie Holmes And Jeanne Yange, Zaha Hadid Lacoste, Dell Opi, Dell Opi Nails, Blake Lively Victoria Beckham"

Yohji around the world

Yohji around the world: "

Yohji Yamamoto, Rue Cambon, Paris


The spaces in which Yohji Yamamoto houses his collections are a continuation of the poetry of his world – sweeping, dramatic and monochrome – beautifully executed and pure in their simplicity. Spanning the world’s major cultural hubs – New York, Paris, London and Tokyo and branching into Antwerp, one of Europe’s fashion capitals – the flagship stores are works of art in themselves.


The Sophie Hicks’ designed Paris store is situated on Rue Cambon, Mademoiselle Chanel’s traditional home, and is a grand white capsule. At its entrance is a sculpted chestnut wall, offering white wing-like repeated panelling and curved staircases leading downstairs. New York’s wedge-shaped corner boutique is Junya Ishigami’s decadent ode to the designer and a veritable lightbox in the edge of the Meatpacking district, surrounded by glass and spearheading into the street. In Antwerp, Wim Goes has in 2007 transformed the Southern Wing of the MoMu building into the largest Yohji boutique, a spacious cube that reinterprets the neoclassical surrounds of the building with a spare, minimal gallery – the all-absorbing whiteness punctuated by the stark black garments on seemingly floating white mannequins. Ron Arad’s dynamic and futuristic design for Yohji’s Tokyo Y’s store is featured in A#2, and can be seen here.


As our month of celebrating Yohji’s A#2 draws to a close, we would like to thank Yohji for an inspiring magazine and such insight into the relationships and traditions that have shaped his craft and his world. Please keep reading as we bring you further news from Yohji in the future, and meanwhile be sure to visit these serene boutiques around the world to discover a little more.


Wim Goes' designed Yohji Yamamoto store, Antwerp


Junya Ishigami-designed Yohji Yamamoto store, New York

"

Thursday, November 26, 2009

Wim Wenders – not a tourist.

Wim Wenders – not a tourist.: "

Photography by Wim Wenders


Wim Wenders is a German image maker – a film producer, director, writer and photographer whose art formed a part of the New Wave in German cinema from the 1960s onwards. Some of Wenders’ more famous works include the film ‘Paris, Texas’ and ‘Wings of Desire’, both profound films that explore human relationships, tensions and involve a strong sense of spatial belonging – the idea of ‘place’ and connection with land and cities.


For Yohji Yamamoto’s A#2, a series of Wim Wender’s photography deals with the Grand Canyon, in Arizona, USA. Instead of a conventional focus on the sweeping, dramatic landscape, Wenders uses it as a backdrop to record the insignificant and idiosyncratic behaviours of the tourists who visit there – their sneakers and snapshot cameras, their motorbikes, campervans and 4WDs. In Wenders words:


“In all these tourist places

where people are expected to take pictures,

I can only take pictures of these people.

There is something very dramatic

about the longevity of these landscapes

and the short lives of these people

even if they try to prolong it

with the photographs they take.

Well I guess that goes for me, too.

Then again, I’m not a tourist.I’m a traveller.”


- Wim Wenders


Photography by Wim WendersPhotography by Wim Wenders

Photography by Wim Wenders


Photography by Wim Wenders

"

The A-Z of M/M Paris

The A-Z of M/M Paris: "

The Alphabet by M/M Paris


Celebrated fashion writer and curator Olivier Saillard constructs Mathias Augustyniak and Michael Amzalag’s alphabet – a concise and razor-sharp breakdown of the world of M/M Paris.


ALPHABET : Their 26-poster installation of human typography.



Björk's Medulla by M/M Paris


BJÖRK: Medulla album, 2004.


Café Etienne Marcel


CAFE ETIENNE MARCEL: Designed in Paris, 2002.


Yohji Yamamoto SS99 by M/M Paris


DESSIN DANS L’IMAGE: Yohji Yamamoto Spring Summer 1999.


Maggie Rizer by Inez & Vinoodh, art direction by M/M Paris


ECRIRE UNE PERMANENCE (writing that endures): a continual retinal image from reuse of M/M’s symbols, saturated shapes.


FILLES (girls): recognising each model that is a part of their story, equal to that of photographer, stylist, hairstylist and makeup artists.


GRAPHISME: “Unlike art, graphic design is financially motivated and is part of an economic reality”.”Generally, graphic design means serving others disciplines”.”For us the field matters little, only individual thought”.


INEZ & VINOODH: since Thierry Mugler in 1997, Inez Van Lamsweerde & Vinoodh Matadin have been the photographers to realise many M/M Paris projects. Between them, robotic models climb out of giant boxes, clothes that seem soaking wet seem to end in neat ink drops.


JIL SANDER: serene aesthetical documents which reject temptation towards the spectacular, a continuing relationship with the German designer since the 1990s.


Calvin Klein by Inez & Vinoodh, and M/M Paris


KLEIN (Calvin): the cut-and-paste technique, a wider fashion audience.


MODE: Inextricably linked with their work. Fashion or art appear as equal subjects of study and experimentation. “Our position is never a reaction”.


Click here to view the embedded video.


OPERA: Antigona by Tomasso Traetta, for whom M/M Paris staged their set in 2004.


ann lee: no ghost just a shell, a project by pierre huyghe & philippe parreno


POSTER: a surface for communication which they try to question by awarding it its own status. From a poster that a teenager pins on his bedroom wall to urban posters…



RANGER, ARCHIVER, ORDONNER (arranging, archiving, organising): www.mmparis.com


SUBJECTIVITÉ: “Our parents were obsessed with psychoanalysis and fascinated by the subconscious. We are all the product of an upbringing where it was vital to assert one’s personality and not to conform.”


VOGUE: French Vogue, their art direction – “To each their own destiny”.


YOHJI YAMAMOTO: more than 10 catalogues between Yohji and M/M between ‘95 and ‘00.


ZÜRICH: The exhibition in which the M/M Alphabet (above) was launched.

"

Monday, November 23, 2009

‘The Manifesto’ by Antonio & Choussat

‘The Manifesto’ by Antonio & Choussat: "

'The Manifesto' by Zamir Antonio & Antoine Choussat


Zamir Antonio and Antoine Choussat are London-based designers and art directors, responsible for the collective Eat Sleep Work / Play. Their vibrant, chromatic compositions are favoured amongst London’s kicking and screaming scene of nightlife, through fashion and music circles such as the Boombox parties and designers Kokon to Zai and Gareth Pugh.


For Yohji Yamamoto’s A#2, Zamir and Antoine contributed two copies of their artistic manifesto for the new millenium, ‘Last Things Last’ – one in English and the other in Norwegian, originally written in Oslo for a 2004 graphic design exhibition. The new manifesto is an appropriation of Ken Garland’s 1964 manifesto ‘First Things First’, a call for pure and honest creativity from graphic designers who became unsatisfied with working purely on hollow advertising campaigns:


First Things First 1964
a manifesto

by Ken Garland


“We, the undersigned, are graphic designers, photographers and students who have been brought up in a world in which the techniques and apparatus of advertising have persistently been presented to us as the most lucrative, effective and desirable means of using our talents. We have been bombarded with publications devoted to this belief, applauding the work of those who have flogged their skill and imagination to sell such things as: cat food, stomach powders, detergent, hair restorer, striped toothpaste, aftershave lotion, beforeshave lotion, slimming diets, fattening diets, deodorants, fizzy water, cigarettes, roll-ons, pull-ons and slip-ons.


By far the greatest effort of those working in the advertising industry are wasted on these trivial purposes, which contribute little or nothing to our national prosperity.


In common with an increasing numer of the general public, we have reached a saturation point at which the high pitched scream of consumer selling is no more than sheer noise. We think that there are other things more worth using our skill and experience on. There are signs for streets and buildings, books and periodicals, catalogues, instructional manuals, industrial photography, educational aids, films, television features, scientific and industrial publications and all the other media through which we promote our trade, our education, our culture and our greater awareness of the world.


We do not advocate the abolition of high pressure consumer advertising: this is not feasible. Nor do we want to take any of the fun out of life. But we are proposing a reversal of priorities in favour of the more useful and more lasting forms of communication. We hope that our society will tire of gimmick merchants, status salesmen and hidden persuaders, and that the prior call on our skills will be for worthwhile purposes. With this in mind we propose to share our experience and opinions, and to make them available to colleagues, students and others who may be interested.”


Last Things Last 2004 a manifesto

by Antoine Choussat & Zamir Antonio


‘Thomas Edison said “Genius is one percent inspiration and ninety-nine percent perspiration”. Without the one percent inspiration, all the perspiration in the world is only a bucket of sweat.


Design is better than fine art.

Designers are self-centered, but at least they know it.

Design must be playful, but it is to be considered seriously.

Work hard, play hard, do both at the same time.

Designers dispose and propose.

Design should be strategically thoughtful.


Never just do it, sometimes just do it, do it quick, do it right.

Never feel comfortable. Take risks. Produce original work.

The world is only black and white, there are no greys.

Burn your idols on a stick, and all your work while you are at it.


Fuck design, let’s dance.

Yes go ahead, take the last cookie.”


'The Manifesto' by Zamir Antonio & Antoine Choussat


Antoine and Zamir’s manifesto is light-hearted, persuasive and inspirational, and prompted several interesting replies when the pair reached out to the wider artistic community, in an earnest plea for contribution and evolution of the manifesto – even offering a DIY envelope diagram in A#2 and their postal address (for artists to react on their work).


We recently got in touch with the duo and they so kindly provided us with the images below, of one of the special replies that they received to their open letter. This reply came from Dutch fine artist Willem Snitker, who wrote ‘life is a gift we often take for granted’ alongside a sample of his work. For Antoine and Zamir to see physical evidence of their work reaching out to others was a significant moment, as Antoine so poetically noted, ‘these replies completed our manifesto piece in A, and proved that people out there are ready and willing to go one step further in their interaction with print publications and their contributors!’



If you would like to react on their words, feel free to email us here!


Willem Snitker's reply to The Manifesto


Willem Snitker's reply to The Manifesto


Willem Snitker's reply to The Manifesto

"

Wednesday, November 18, 2009

THE NIGHT BECOMES HER

THE NIGHT BECOMES HER: "

A lot of attention has been given to the All American portraits of Dree Hemingway shot by Sebastian Faena for V Magazine, yet we find ourselves more drawn to the darker mood of a particular shot. The long exposure shot at dusk in an abandoned building in Fort Tilden Park has a more spectral quality than the rest of the story. We love the use of long exposure to enhance the gritty texture of the entire scene, and it’s no surprise it was the last shot on a long day of shooting in a seemingly remote and forgotten NYC park.



aac285041.jpg
Sebastian Faena for V Magazine, Winter 2009



"

isabeli fontana- vogue us december 2009

isabeli fontana- vogue us december 2009: "Isabeli Fontana in Vogue US December 2009, Blow Up.







"

Monday, November 16, 2009

Peter Lindbergh’s saddest town

Peter Lindbergh’s saddest town: "

Beckley, West Virginia USA by Peter Lindbergh


Award-winning German photographer Peter Lindbergh has been described as a ‘poet of glamour’, a fashion photographer with an eye that captures the intrinsically human elements within an image – those that are so often surpassed by the opulence and excesses of adornment and decoration in fashion. With a strong history in black and white film, Lindbergh has positioned himself amongst the world’s top fashion photographers over the past two three decades, toeing a line between the commerce of luxury campaigns and the more avantgarde worlds of more daring fashion – working with Japanese designers such as Comme Des Garcon’s Rei Kawakubo, and the curator of A#2, Yohji Yamamoto.


Peter has contributed a series of stills to Yohji’s magazine, taken from a series shot in Beckley, West Virginia in the USA. These are not fashion images. The photos evoke a quiet, sleepy town – snaking powerlines through a cloudy sky, lonely reflections through window panes, shadows cast long in an empty street – all images support a harmonious narrative of peace, stagnation and melancholy.





“Beckley, in West Virginia USA, was probably the saddest town I have ever seen, but there was something interesting about it..”


Beckley, West Virginia USA by Peter Lindbergh


Beckley, West Virginia USA by Peter Lindbergh




"

The new Prada Book

The new Prada Book: "
Prada Boook
Website: www.prada.com
Prada is the first book that documents three decades of ground-breaking fashion, architecture, film and art by the Prada company, including the work of the design studio and the workshop. Documenting extensive creative partnerships with photographers, designers, architects and film directors, with large scale architectural commissions, the Fondazione Prada, and the development of a new museum. More info after the jump:

Among the many features of this rich innovative book with its thousands of images are a photo-essay by renowned photographer Brigitte Lacombe, stills taken from short films documenting the craftsmanship of the factory, images of the unique fashion show environments, an overview of all Miuccia Prada's collections with thumbnail pictures of 3,885 different “looks,” collages of the most influential shoe and bags, photographs of the final product on the runway, celebrated store designs in New York and Los Angeles by Rem Koolhaas/OMAand in Tokyo by Swiss architects Herzog & de Meuron, a film collaboration with director Ridley Scott, Koolhaas’s radical “Prada Transformer” pavilion in Seoul, costume designs for a Japanese manga heroine, Prada found on the street and celebrities photographed on the red carpet, and blogs expressing the almost fanatical devotion of lovers of the brand.

Prada both chronicles and epitomizes the achievements of one of the world's most influential and enlightened fashion and design companies.

About the Author
Fashion designer Miuccia Prada inherited the Prada company in 1978, and with her husband entrepreneur Patrizio Bertelli built it into one of the world's leading and innovative fashion and design companies. Prada brings to her work a deep commitment to the visual and performing arts, a history of political activism on the left, and an openness to new materials and ideas. Michael Rock is a founding partner and creative director of the award-winning design firm 2x4 in New York and Professor of Design at the Yale University School of Art. Sung Joong Kim is a designer at 2x4.

Purchase PRADA book on Amazon.com for only $78.75
"

Side Projects for Olivier Zahm: A Chanel Magazine and a Carine Roitfeld Book

Side Projects for Olivier Zahm: A Chanel Magazine and a Carine Roitfeld Book: "


>> Olivier Zahm, the man who recently described his trademark look as 'a disguise' - 'five or six years ago, I decided to wear this kind of outfit and behave as if I were a celebrity. It’s not out of narcissism. It’s for the magazine. For an independent magazine to exist, I had to incarnate it personally' - has been busy with projects other than Purple Fashion lately. He and art director Alex Wiederin have been working together 'on Carine Roitfeld's book' - no further details given, and he's also 'art directed and designed' the first issue of 31 Rue Cambon, a Chanel magazine - which seems to be in a similar vein as Yves Saint Laurent's Manifesto - to be distributed worldwide in Chanel stores. Featured, of course, are Chanel favorites like Lara Stone, Baptiste Giabiconi, and Freja Beha Erichsen.

"

Saturday, November 14, 2009

Zaha Hadid by Joseph Giovanni

Zaha Hadid by Joseph Giovanni: "

Zaha Hadid's work photographed by Hélène Binet


Iranian-born Zaha Hadid is one of the most acclaimed architects of this century, a woman who shot to international acclaim with a stratospheric rise that began shortly after leaving London’s Architectural Association and working alongside her previous teacher, AMO’s Rem Koolhaas. Her deconstructivist style was a revolution in large scale architecture in terms of interior layout, the use of spatial parameters and the pure ambition of reaching for the sky, with projects that hold “a huge robustness with infinite refinement”.


Vitra Fire Station in Weil Am Rhein, Germany. By Zaha Hadid, photograph by Hélène Binet.


Inspired by Russian Avantgarde artists such as Vladimir Malevich, Zaha has been responsible for works of grand scale and abstract form across the world, including some of her earliest work being the Vitra fire station in Weil Am Rhein, Germany, to Rome’s Contemporary Art Centre, and more recently the travelling Chanel Mobile Art Container. Rem Koolhaas calls her work:


“Commanding yet graceful, the buildings all harbour huge power and huge delicacy. The buildings are like Zaha, full of amplitude and generosity.”


For A#2, Joseph Giovanni has written about this mistress of form on the eve of her 2004 Pritzker Prize win, the highest accolade in the architectural field. He speaks of her enigmatic personality that exists on as large a scale as her buildings, and her dynamic creativity that delivers a constant in her aesthetic yet never repeats on itself. His words are accompanied by Hélène Binet’s specialist architectural photography of Zaha’s projects. Not only concerned with architecture, the piece details Zaha’s interest in fashion, designing her own from an early age in Baghdad. On Yohji Yamamoto, for whom she has a great fondness, Zaha Hadid says:


“Sometimes they’re deconstructed and sometimes more tailored, and he often makes use of material folding. But the cuts are always fabulous, and he is an expert in the transformation of a piece laying flat to when it’s worn.”


One design prophet speaking of another with reverence and respect: a beautiful exchange.


Zaha Hadid's work photographed by Hélène Binet

Click here to view the embedded video.

"

Friday, November 13, 2009

Anastasia Kutznetsova - Dazed & Confused, December 2009

Anastasia Kutznetsova - Dazed & Confused, December 2009: "Ph: Mark Pillai




"

The Yes List - Wes Anderson's Fantastic Fox

The Yes List - Wes Anderson's Fantastic Fox: "Each week, The Daily Beast scours the cultural landscape to choose three top picks. This week, Wes Anderson's magical Fantastic Mr. Fox, a provocative Man Ray retrospective, and the Newport Jazz Festival goes digital.

Wes Anderson's Fantastic..."